Canonical Figures and the Recognition of Animals in Life and Art

Is there a particular perceptual modality, i.e., a way of seeing rock art figures (zoomorphs and anthropomorphs) which involves simple recognition and is distinguishable from the recognition of these same figures in other contexts? Such a modality would be prioritized by evolution and would depend o...

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Autores principales: Dobrez,Livio, Dobrez,Patricia
Lenguaje:English
Publicado: Museo Chileno de Arte Precolombino 2014
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Acceso en línea:http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-68942014000100002
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spelling oai:scielo:S0718-689420140001000022014-08-18Canonical Figures and the Recognition of Animals in Life and ArtDobrez,LivioDobrez,Patricia rock art figure recognition representational modalities canonical form salience typical contour Is there a particular perceptual modality, i.e., a way of seeing rock art figures (zoomorphs and anthropomorphs) which involves simple recognition and is distinguishable from the recognition of these same figures in other contexts? Such a modality would be prioritized by evolution and would depend on elements of a figure and/or of perception which make preliminary identification easy and rapid, for example, typical or dominant views, salient features, pars pro toto processes, visual "invariants" (Gibson 1979), "typical contours" (Deregowski 1984, 1995). This paper discusses some of the literature on the subject and offers its own perspective on what we term canonicals in life and in art.info:eu-repo/semantics/openAccessMuseo Chileno de Arte PrecolombinoBoletín del Museo Chileno de Arte Precolombino v.19 n.1 20142014-01-01text/htmlhttp://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-68942014000100002en10.4067/S0718-68942014000100002
institution Scielo Chile
collection Scielo Chile
language English
topic rock art
figure recognition
representational modalities
canonical form
salience
typical contour
spellingShingle rock art
figure recognition
representational modalities
canonical form
salience
typical contour
Dobrez,Livio
Dobrez,Patricia
Canonical Figures and the Recognition of Animals in Life and Art
description Is there a particular perceptual modality, i.e., a way of seeing rock art figures (zoomorphs and anthropomorphs) which involves simple recognition and is distinguishable from the recognition of these same figures in other contexts? Such a modality would be prioritized by evolution and would depend on elements of a figure and/or of perception which make preliminary identification easy and rapid, for example, typical or dominant views, salient features, pars pro toto processes, visual "invariants" (Gibson 1979), "typical contours" (Deregowski 1984, 1995). This paper discusses some of the literature on the subject and offers its own perspective on what we term canonicals in life and in art.
author Dobrez,Livio
Dobrez,Patricia
author_facet Dobrez,Livio
Dobrez,Patricia
author_sort Dobrez,Livio
title Canonical Figures and the Recognition of Animals in Life and Art
title_short Canonical Figures and the Recognition of Animals in Life and Art
title_full Canonical Figures and the Recognition of Animals in Life and Art
title_fullStr Canonical Figures and the Recognition of Animals in Life and Art
title_full_unstemmed Canonical Figures and the Recognition of Animals in Life and Art
title_sort canonical figures and the recognition of animals in life and art
publisher Museo Chileno de Arte Precolombino
publishDate 2014
url http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-68942014000100002
work_keys_str_mv AT dobrezlivio canonicalfiguresandtherecognitionofanimalsinlifeandart
AT dobrezpatricia canonicalfiguresandtherecognitionofanimalsinlifeandart
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