Canonical Figures and the Recognition of Animals in Life and Art
Is there a particular perceptual modality, i.e., a way of seeing rock art figures (zoomorphs and anthropomorphs) which involves simple recognition and is distinguishable from the recognition of these same figures in other contexts? Such a modality would be prioritized by evolution and would depend o...
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Museo Chileno de Arte Precolombino
2014
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oai:scielo:S0718-689420140001000022014-08-18Canonical Figures and the Recognition of Animals in Life and ArtDobrez,LivioDobrez,Patricia rock art figure recognition representational modalities canonical form salience typical contour Is there a particular perceptual modality, i.e., a way of seeing rock art figures (zoomorphs and anthropomorphs) which involves simple recognition and is distinguishable from the recognition of these same figures in other contexts? Such a modality would be prioritized by evolution and would depend on elements of a figure and/or of perception which make preliminary identification easy and rapid, for example, typical or dominant views, salient features, pars pro toto processes, visual "invariants" (Gibson 1979), "typical contours" (Deregowski 1984, 1995). This paper discusses some of the literature on the subject and offers its own perspective on what we term canonicals in life and in art.info:eu-repo/semantics/openAccessMuseo Chileno de Arte PrecolombinoBoletín del Museo Chileno de Arte Precolombino v.19 n.1 20142014-01-01text/htmlhttp://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-68942014000100002en10.4067/S0718-68942014000100002 |
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Scielo Chile |
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Scielo Chile |
language |
English |
topic |
rock art figure recognition representational modalities canonical form salience typical contour |
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rock art figure recognition representational modalities canonical form salience typical contour Dobrez,Livio Dobrez,Patricia Canonical Figures and the Recognition of Animals in Life and Art |
description |
Is there a particular perceptual modality, i.e., a way of seeing rock art figures (zoomorphs and anthropomorphs) which involves simple recognition and is distinguishable from the recognition of these same figures in other contexts? Such a modality would be prioritized by evolution and would depend on elements of a figure and/or of perception which make preliminary identification easy and rapid, for example, typical or dominant views, salient features, pars pro toto processes, visual "invariants" (Gibson 1979), "typical contours" (Deregowski 1984, 1995). This paper discusses some of the literature on the subject and offers its own perspective on what we term canonicals in life and in art. |
author |
Dobrez,Livio Dobrez,Patricia |
author_facet |
Dobrez,Livio Dobrez,Patricia |
author_sort |
Dobrez,Livio |
title |
Canonical Figures and the Recognition of Animals in Life and Art |
title_short |
Canonical Figures and the Recognition of Animals in Life and Art |
title_full |
Canonical Figures and the Recognition of Animals in Life and Art |
title_fullStr |
Canonical Figures and the Recognition of Animals in Life and Art |
title_full_unstemmed |
Canonical Figures and the Recognition of Animals in Life and Art |
title_sort |
canonical figures and the recognition of animals in life and art |
publisher |
Museo Chileno de Arte Precolombino |
publishDate |
2014 |
url |
http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0718-68942014000100002 |
work_keys_str_mv |
AT dobrezlivio canonicalfiguresandtherecognitionofanimalsinlifeandart AT dobrezpatricia canonicalfiguresandtherecognitionofanimalsinlifeandart |
_version_ |
1714205734788399104 |