Diary of a documentary in the making: filming the local imaginaries of post-dictatorship Argentina
Abstract: This article constitutes the diary of a documentary in the making, one that aims to create a cinematic map of the local imaginaries of post-dictatorship transition. The unfolding project it charts uses film as a medium—both its reception by audiences and its creative potential as...
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| Autores principales: | , |
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| Lenguaje: | Spanish / Castilian |
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Universidad de Chile. Instituto de la Comunicación e Imagen
2019
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| Materias: | |
| Acceso en línea: | http://www.scielo.cl/scielo.php?script=sci_arttext&pid=S0719-15292019000100186 |
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| Sumario: | Abstract: This article constitutes the diary of a documentary in the making, one that aims to create a cinematic map of the local imaginaries of post-dictatorship transition. The unfolding project it charts uses film as a medium—both its reception by audiences and its creative potential as a mode of documenting and expressing social phenomena artistically—in order to map and produce fresh understanding of the multifaceted and layered, polysemous set of social imaginaries of the memory of Argentina’s civic-military dictatorship and the ensuing post-dictatorship transition to democracy. This cinematic journey into the Dantesque labyrinth of the imaginary unfolds in the liminal space between the imagination and the real. In doing so, intimate lived experience resonates through public displays of trauma and pleasure, taking us into a yet-to-be-defined space that is neither documentary nor fiction. |
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