Author’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation

The article is devoted to art techniques most typical to A. Casona’s idiostyle - the author’s epithet - in the aspect of translation into Russian. The term “ author’s epithet ” means an unexpected, non-reproducible combination enriching the writer’s native language. The relevance of the study is due...

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Autor principal:	V. V. Shchepalina
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2018
Materias:	alejandro casona author’s epithet translation of drama idiostyle spanish theatre Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/090b74810c804528bfb6844747aa3694
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id	oai:doaj.org-article:090b74810c804528bfb6844747aa3694
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spelling	oai:doaj.org-article:090b74810c804528bfb6844747aa36942021-12-02T07:58:06ZAuthor’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation2225-756X2227-129510.24224/2227-1295-2018-12-195-205https://doaj.org/article/090b74810c804528bfb6844747aa36942018-12-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1024https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to art techniques most typical to A. Casona’s idiostyle - the author’s epithet - in the aspect of translation into Russian. The term “ author’s epithet ” means an unexpected, non-reproducible combination enriching the writer’s native language. The relevance of the study is due to the fact that it is difficult to find an equivalent for the author’s epithet in translation due to language asymmetry, mismatch of lexical compatibility of direct equivalents. The article provides an overview of studies on the translation of drama, as well as the extralinguistic factors that impose restrictions on the translator. The author analyzes her own translations of two plays belonging to different periods of the playwright’s work. Methods of contextual, component, discursive and stylistic analysis, method of observation, generalization and description are used in the work. The study suggests that the high frequency of use, structural diversity, the ability to express the functions of various means of artistic expression (metaphor, metonymy, impersonation, antithesis, etc.) make epithet one of the most productive artistic techniques in Casona’s drama. The functional approach to its translation is substantiated. The scientific novelty of the article is associated with a small study of Casona’s creativity both by domestic and foreign researchers.V. V. ShchepalinaTsentr nauchnykh i obrazovatelnykh proektovarticlealejandro casonaauthor’s epithettranslation of dramaidiostylespanish theatreSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 12, Pp 195-205 (2018)
institution	DOAJ
collection	DOAJ
language	RU
topic	alejandro casona author’s epithet translation of drama idiostyle spanish theatre Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	alejandro casona author’s epithet translation of drama idiostyle spanish theatre Slavic languages. Baltic languages. Albanian languages PG1-9665 V. V. Shchepalina Author’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation
description	The article is devoted to art techniques most typical to A. Casona’s idiostyle - the author’s epithet - in the aspect of translation into Russian. The term “ author’s epithet ” means an unexpected, non-reproducible combination enriching the writer’s native language. The relevance of the study is due to the fact that it is difficult to find an equivalent for the author’s epithet in translation due to language asymmetry, mismatch of lexical compatibility of direct equivalents. The article provides an overview of studies on the translation of drama, as well as the extralinguistic factors that impose restrictions on the translator. The author analyzes her own translations of two plays belonging to different periods of the playwright’s work. Methods of contextual, component, discursive and stylistic analysis, method of observation, generalization and description are used in the work. The study suggests that the high frequency of use, structural diversity, the ability to express the functions of various means of artistic expression (metaphor, metonymy, impersonation, antithesis, etc.) make epithet one of the most productive artistic techniques in Casona’s drama. The functional approach to its translation is substantiated. The scientific novelty of the article is associated with a small study of Casona’s creativity both by domestic and foreign researchers.
format	article
author	V. V. Shchepalina
author_facet	V. V. Shchepalina
author_sort	V. V. Shchepalina
title	Author’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation
title_short	Author’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation
title_full	Author’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation
title_fullStr	Author’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation
title_full_unstemmed	Author’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation
title_sort	author’s epithet in a. casona’s dramas: features of functioning and problem of translation
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2018
url	https://doaj.org/article/090b74810c804528bfb6844747aa3694
work_keys_str_mv	AT vvshchepalina authorsepithetinacasonasdramasfeaturesoffunctioningandproblemoftranslation
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Author’s Epithet in A. Casona’s Dramas: Features of Functioning and Problem of Translation

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