Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world
This analysis studies the development of Walter Benjamin’s aestheticization of politics, Debold’s culture of spectacle, Michel Foucault’s regulatory power, and outlines their key characteristics in the course of post-coronavirus art world. Taken together, it examines the totalitarian and collective...
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| Formato: | article |
| Lenguaje: | EN |
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Taylor & Francis Group
2021
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| Acceso en línea: | https://doaj.org/article/212e27ac981043579a25dc3b3881d9fe |
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