Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world

This analysis studies the development of Walter Benjamin’s aestheticization of politics, Debold’s culture of spectacle, Michel Foucault’s regulatory power, and outlines their key characteristics in the course of post-coronavirus art world. Taken together, it examines the totalitarian and collective...

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Autor principal:	Isabella Siu-wai Yun
Formato:	article
Lenguaje:	EN
Publicado:	Taylor & Francis Group 2021
Materias:	aesthetic politics performing art digital society mechanical reproduction of art culture of spectacle power subjectivity Fine Arts N Arts in general NX1-820 General Works A History of scholarship and learning. The humanities AZ20-999
Acceso en línea:	https://doaj.org/article/212e27ac981043579a25dc3b3881d9fe
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id	oai:doaj.org-article:212e27ac981043579a25dc3b3881d9fe
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spelling	oai:doaj.org-article:212e27ac981043579a25dc3b3881d9fe2021-12-01T14:41:00ZCultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world2331-198310.1080/23311983.2021.1995117https://doaj.org/article/212e27ac981043579a25dc3b3881d9fe2021-01-01T00:00:00Zhttp://dx.doi.org/10.1080/23311983.2021.1995117https://doaj.org/toc/2331-1983This analysis studies the development of Walter Benjamin’s aestheticization of politics, Debold’s culture of spectacle, Michel Foucault’s regulatory power, and outlines their key characteristics in the course of post-coronavirus art world. Taken together, it examines the totalitarian and collective cohesiveness of arts reproduction in the digital spatiality, and argues that there is the continuing cultural surveillance to shape aesthetic communication, in its evolution from celluloid resurrection to streaming media. It evaluates some consequences of cultural classification struggle, and arts mediocrity have been taken up and developed in the power circuit of media agencies.Isabella Siu-wai YunTaylor & Francis Grouparticleaesthetic politicsperforming artdigital societymechanical reproduction of artculture of spectaclepowersubjectivityFine ArtsNArts in generalNX1-820General WorksAHistory of scholarship and learning. The humanitiesAZ20-999ENCogent Arts & Humanities, Vol 8, Iss 1 (2021)
institution	DOAJ
collection	DOAJ
language	EN
topic	aesthetic politics performing art digital society mechanical reproduction of art culture of spectacle power subjectivity Fine Arts N Arts in general NX1-820 General Works A History of scholarship and learning. The humanities AZ20-999
spellingShingle	aesthetic politics performing art digital society mechanical reproduction of art culture of spectacle power subjectivity Fine Arts N Arts in general NX1-820 General Works A History of scholarship and learning. The humanities AZ20-999 Isabella Siu-wai Yun Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world
description	This analysis studies the development of Walter Benjamin’s aestheticization of politics, Debold’s culture of spectacle, Michel Foucault’s regulatory power, and outlines their key characteristics in the course of post-coronavirus art world. Taken together, it examines the totalitarian and collective cohesiveness of arts reproduction in the digital spatiality, and argues that there is the continuing cultural surveillance to shape aesthetic communication, in its evolution from celluloid resurrection to streaming media. It evaluates some consequences of cultural classification struggle, and arts mediocrity have been taken up and developed in the power circuit of media agencies.
format	article
author	Isabella Siu-wai Yun
author_facet	Isabella Siu-wai Yun
author_sort	Isabella Siu-wai Yun
title	Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world
title_short	Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world
title_full	Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world
title_fullStr	Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world
title_full_unstemmed	Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world
title_sort	cultural surveillance in the algorithmic sociality: the evolution of humanistic myth and technological myth in the post-coronavirus world
publisher	Taylor & Francis Group
publishDate	2021
url	https://doaj.org/article/212e27ac981043579a25dc3b3881d9fe
work_keys_str_mv	AT isabellasiuwaiyun culturalsurveillanceinthealgorithmicsocialitytheevolutionofhumanisticmythandtechnologicalmythinthepostcoronavirusworld
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Cultural surveillance in the algorithmic sociality: The evolution of humanistic myth and technological myth in the post-coronavirus world

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