Sentiment, Mood, and Performing the Past: James Hurley's Re-enactment of “Just You” in Twin Peaks: The Return
This essay challenges the critical notion of David Lynch as a “trickster figure” in his approach to Twin Peaks. David McAvoy points to Lynch’s employment of “boring” sequences in The Return as evidence of him “trolling” his fanbase, invoking Sianne Ngai’s theory of the “stuplime”—the clash of the st...
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| Formato: | article |
| Lenguaje: | EN |
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New York City College of Technology
2020
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| Acceso en línea: | https://doaj.org/article/25e409335a4444d382bb5a271f0c693e |
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