Masculinities in Robert Rodríguez’s Mexico Trilogy

In this article, I discuss various layers of masculinity, in particular hegemonic masculinity and the notion of ‘machismo’ used by Robert Rodríguez in his Mexico Trilogywhich comprises the films El Mariachi (1992), Desperado(1995), and Once upon a time in Mexico (2003). Their focus on male hybridity...

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Autor principal: Alexandra Simon-López
Formato: article
Lenguaje:EN
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Publicado: Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings 2012
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Acceso en línea:https://doaj.org/article/2e957726a703404ba7ad454c10db05d2
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