Poetiche della solitudine: da “Le Samouraï” a “Ghost Dog”
“Le Samouraï” (1967) by Jean-Pierre Melville has inspired a string of imitators and filmmakers, who were so fascinated by his style that they wanted to pay homage to him. In the Far East, John Woo, one of the most representative exponents of Hong Kong cinema, directed “The Killer” (1989), a sort of...
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| Format: | article |
| Langue: | EN ES FR IT |
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Prof. Rinaldo Rinaldi
2021
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| Accès en ligne: | https://doaj.org/article/2eb3bbe4642c43e1a1f4ede962a6f091 |
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