Charles Gounod’s Faust and Dostoevsky Artistic Principles
The article considers the “Faustian” scene in Fyodor Dostoevsky’s The Adolescent as the musical embodiment of Dostoevsky’s central poetic device: statements with maximum formal similarity and maximum semantic divergence. This device is contextualized within Mikhail Bakhtin’s polyphonic novel concept...
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| Format: | article |
| Langue: | EN RU |
| Publié: |
Russian Academy of Sciences. A.M. Gorky Institute of World Literature
2021
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| Accès en ligne: | https://doaj.org/article/3e261c392ca74d189967a5ccf15dad4f |
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