Translation of Complex Occasionalisms in Modern English Novels
Composite occasionalism is understood as a new formation, which is based on a syntactic complex acting as a multicomponent unity and characterized by a hyphenated connection of elements (for example, how-to-win-that-job articles, last-Friday-before-a-vacation feeling). The ways of translating comple...
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| Autores principales: | , |
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| Formato: | article |
| Lenguaje: | RU |
| Publicado: |
Tsentr nauchnykh i obrazovatelnykh proektov
2020
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/4dccbe709ca8480b9186645116d48ef3 |
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| Sumario: | Composite occasionalism is understood as a new formation, which is based on a syntactic complex acting as a multicomponent unity and characterized by a hyphenated connection of elements (for example, how-to-win-that-job articles, last-Friday-before-a-vacation feeling). The ways of translating complex occasionalisms in modern English-language novels into Russian are discussed in the article. The results of a comparative analysis on the material of five novels and their Russian translations are presented: “White Teeth” by Z. Smith (2000) — “Belye zuby” (translated by O. L. Kachanova, M. A. Melnichenko, 2005), “About beauty” by Z. Smith (2005) — “O krasote” (translated by O. L. Kachanova, A. N. Vlasova, 2010), “Do you know how to keep secrets?” by S. Kinsella (2003) — “A ty umeesh khranit’ sekrety?” (translated by T. A. Pertseva, 2019), “Love, Rosie” by S. Ahern (2005) — “Ne veryu. Ne nadeyus’. Lyublyu” [“I don’t believe. I hope not. I love”] (translated by V. I. Lavronenko, 2009) and “Juliet, Naked” by N. Hornby (2009) — “Golaya Dzhulyetta” (translated by Yu. A. Balayan, 2010). The following translation techniques were reviewed: descriptive translation with the loss of lexical “condensation”, calquing, replacement of a complex occasional unit in one word, graphic-punctuation transfer, omission of the occasional unit in the translation text or its incomplete transfer. |
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