Krzysztof Knittel's chamber opera and Agnieszka Stulgińska's music theatre: Examples of a new syncretistic medium in contemporary Polish music
This essay analyses and interprets the scores, recordings, and media used in Knittel and King's The Heart Piece - Double Opera (1999) and Stulgińska's Three Women for three women and ten instruments (2017), two semi-improvised Polish operas using performance art and interaction between sou...
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| Format: | article |
| Langue: | EN SR |
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Akademija umetnosti Univerziteta u Novom Sadu
2021
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| Accès en ligne: | https://doaj.org/article/632574e66579416388ff0b5761bfbf6e |
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