Glaring Invisibilities and Loud Silences in ‘The Gipsy’s Baby’ by Rosamond Lehmann
Rosamond Lehmann seems an unlikely candidate for the study of the voices and faces of the left-behinds since most of her novels deal with the unsatisfactory romances of women from the middle classes. Her short fiction—five stories written during WWII—is another matter. This is particularly the case...
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| Formato: | article |
| Lenguaje: | EN FR |
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Presses Universitaires de la Méditerranée
2021
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| Acceso en línea: | https://doaj.org/article/65bd642d39ba4884a1c111860a5b4746 |
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