Performer’s Body: Cross-Gender Casting as an Estrangement Technique in Theatre
The main thesis of the present article is that cross-gender casting can function as a Brechtian estrangement technique, an approach which denaturalizes gender and other social constructs. The term “cross-gender casting” is preferred to the term “travesty”, which is mainly used by Serbian theatre cri...
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Formato: | article |
Lenguaje: | EN FR SR |
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University of Belgrade
2021
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Acceso en línea: | https://doaj.org/article/b6ddcc81c891453a807bcececf8c9d7e |
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