L’émergence de l’«acteur napoléonien» au XIXe siècle
The period after the July Revolution of 1830 in France were marked by a wave of new plays about Napoleon. The popularity of these Napoleonic plays required the emergence of actors who, very quickly, became specialists in the role. This article discusses these first great “Napoleons of the theatre”,...
Saved in:
Main Author: | Laura O’Brien |
---|---|
Format: | article |
Language: | FR |
Published: |
Seminario di filologia francese
2021
|
Subjects: | |
Online Access: | https://doaj.org/article/c9ca5bba0f0d45d9a66a3919d30ecbc9 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Les masques de l’Empereur
by: Katherine Astbury, et al.
Published: (2021) -
Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire
by: Clare Siviter
Published: (2021) -
Masques et miroirs de l’Empereur autour du sacre : Lemercier et Chénier
by: Pierre Frantz, et al.
Published: (2021) -
Napoléon Arlequin ou la métaphore théâtrale
by: Katherine Astbury
Published: (2021) -
La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819
by: Nicole Cochrane
Published: (2021)