The Life of a Painting as Traced by Technical Analysis: Original Materials and Posthumous Alterations in Édouard Manet’s <i>Woman in Striped Dress</i>

Among the holdings of the Solomon R. Guggenheim Foundation, New York, is a large-scale portrait by Édouard Manet that remained apparently unfinished upon the artist’s death, in April 1883. This work, now known as <i>Woman in Striped Dress</i>, belongs to Manet’s late artistic production...

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Autores principales: Federica Pozzi, Silvia A. Centeno, Federico Caro, Gillian McMillan, Lena Stringari, Vivien Greene
Formato: article
Lenguaje:EN
Publicado: MDPI AG 2021
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Acceso en línea:https://doaj.org/article/ca2909ab3809469da0d90d71eaed4a2d
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