Who’s Singing over There? Transnationalism in Post-Yugoslav Popular Music and Its Boundaries
This paper examines transnational relations between the Yugoslav successor states from the point of view of popular music, and demonstrates how transnational musical figures (such as Djordje Balašević, Momčilo Bajagić-Bajaga, or Ceca Ražnatović) are interpreted as symbolic reference points in natio...
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| Format: | article |
| Langue: | EN FR SR |
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University of Belgrade
2009
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| Accès en ligne: | https://doaj.org/article/d1cacfea1a504bdeb115ea234f6d53ac |
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