Allison Anders and the ‘Racial “Authenticity” Membership-Test’: Keeping Mi vida loca/My Crazy Life (1994) on the Borders of Chicano Cinema

While nuanced and sensitive non-essentialist theorisations of Chicano identity have been put forward by key critics working in the field, these same critics still struggle, on occasion, to disentangle themselves from having recourse to essentialist arguments in their own work. The case that I examin...

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Autor principal: 10.23692/imex.2.2
Formato: article
Lenguaje:EN
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Publicado: Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings 2012
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Acceso en línea:https://doaj.org/article/de30dbc9b0304e2a883f338374aa06b6
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