Allison Anders and the ‘Racial “Authenticity” Membership-Test’: Keeping Mi vida loca/My Crazy Life (1994) on the Borders of Chicano Cinema

While nuanced and sensitive non-essentialist theorisations of Chicano identity have been put forward by key critics working in the field, these same critics still struggle, on occasion, to disentangle themselves from having recourse to essentialist arguments in their own work. The case that I examin...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: 10.23692/imex.2.2
Formato: article
Lenguaje:EN
ES
Publicado: Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings 2012
Materias:
P
Acceso en línea:https://doaj.org/article/de30dbc9b0304e2a883f338374aa06b6
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!

Ejemplares similares