A TV Dante – Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips – A ›symbolical translation‹ of Dante’s Inferno for television

For their film version of the first eight cantos from Dante`s Inferno, A TV Dante – Cantos I-VIII (1989), Peter Greenaway and Tom Phillips developed a completely new and highly innovative adaptation strategy: Based on an earlier illustration cycle and translation of Dante’s Inferno by Tom Phillips,...

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Autor principal: Tabea Kretschmann
Formato: article
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Publicado: Universitat Autònoma de Barcelona 2015
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Acceso en línea:https://doaj.org/article/ab50fd8048454e698d84a3f14aed115a
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spelling oai:doaj.org-article:ab50fd8048454e698d84a3f14aed115a2021-12-05T12:23:40ZA TV Dante – Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips – A ›symbolical translation‹ of Dante’s Inferno for television10.5565/rev/dea.332385-72692385-5355https://doaj.org/article/ab50fd8048454e698d84a3f14aed115a2015-12-01T00:00:00Zhttps://revistes.uab.cat/dea/article/view/33https://doaj.org/toc/2385-7269https://doaj.org/toc/2385-5355 For their film version of the first eight cantos from Dante`s Inferno, A TV Dante – Cantos I-VIII (1989), Peter Greenaway and Tom Phillips developed a completely new and highly innovative adaptation strategy: Based on an earlier illustration cycle and translation of Dante’s Inferno by Tom Phillips, Greenaway and Phillips conceived A TV Dante as a ›new edition‹ of the artist book. For this, they transferred typical book structures in the film and, similar to Phillips’ own symbolical illustration strategy, ›translated‹ the text of the Inferno in a ›symbolical TV language‹. In this article, I will give an overview over the central adaptation principles in A TV Dante. Tabea KretschmannUniversitat Autònoma de BarcelonaarticleInfernoPeter GreenawayTom PhillipsDante and filmDante and TVDante illustrationsArts in generalNX1-820Language and LiteraturePCAENESITDante e l'Arte, Vol 2 (2015)
institution DOAJ
collection DOAJ
language CA
EN
ES
IT
topic Inferno
Peter Greenaway
Tom Phillips
Dante and film
Dante and TV
Dante illustrations
Arts in general
NX1-820
Language and Literature
P
spellingShingle Inferno
Peter Greenaway
Tom Phillips
Dante and film
Dante and TV
Dante illustrations
Arts in general
NX1-820
Language and Literature
P
Tabea Kretschmann
A TV Dante – Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips – A ›symbolical translation‹ of Dante’s Inferno for television
description For their film version of the first eight cantos from Dante`s Inferno, A TV Dante – Cantos I-VIII (1989), Peter Greenaway and Tom Phillips developed a completely new and highly innovative adaptation strategy: Based on an earlier illustration cycle and translation of Dante’s Inferno by Tom Phillips, Greenaway and Phillips conceived A TV Dante as a ›new edition‹ of the artist book. For this, they transferred typical book structures in the film and, similar to Phillips’ own symbolical illustration strategy, ›translated‹ the text of the Inferno in a ›symbolical TV language‹. In this article, I will give an overview over the central adaptation principles in A TV Dante.
format article
author Tabea Kretschmann
author_facet Tabea Kretschmann
author_sort Tabea Kretschmann
title A TV Dante – Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips – A ›symbolical translation‹ of Dante’s Inferno for television
title_short A TV Dante – Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips – A ›symbolical translation‹ of Dante’s Inferno for television
title_full A TV Dante – Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips – A ›symbolical translation‹ of Dante’s Inferno for television
title_fullStr A TV Dante – Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips – A ›symbolical translation‹ of Dante’s Inferno for television
title_full_unstemmed A TV Dante – Cantos I-VIII (1989) by Peter Greenaway and Tom Phillips – A ›symbolical translation‹ of Dante’s Inferno for television
title_sort tv dante – cantos i-viii (1989) by peter greenaway and tom phillips – a ›symbolical translation‹ of dante’s inferno for television
publisher Universitat Autònoma de Barcelona
publishDate 2015
url https://doaj.org/article/ab50fd8048454e698d84a3f14aed115a
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